迷幻(huàn )少女(nǚ )遇著(zhe )過氣公安老(🥇)頭,未必(🐌)是貓捉(🌰)老(lǎo )鼠累(😘)鬥(🕟)累,也(yě )可以是(shì )從老前(🔧)輩(🎗)身上學會認識自己。阿 P 為追(zhuī )阿(ā )初欠她的(de )債,偶然與阿初(chū )的外(wài )公相遇(yù ),兩個生(shēng )活態度南轅(🕯)北轍(zhé )(🙍)的人,就是這樣在(zài )荒謬的處境(🎿)中相互(🗑)學習(🍮)。阿P在(🚸)當中看見年青一代(dài )的無奈:十六歲(suì )的(de )迷途(tú )青春、愛情的無(wú )助、軟性(💱)毒品的(🎛)蠶食、面對父母(🙂)失(📙)敗的婚姻、自己渾噩(🙄)的前途....阿初無故(⛏)失蹤(🤷),又(yòu )是(shì )否(🚻)因抵受(shòu )(⛳)不了同(tóng )樣殘(cán )酷的青(🥕)春?世情(🚴)像玻璃,有(🌮)時(shí )看得透,有時不,相同(🍑)的(👊)只是:兩(🐾)者同樣(🈸)冰冷(lěng )易碎。 The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. Source 25th HKIFF (2001)