迷(mí )幻少(🍅)女遇著(zhe )過(guò )氣(qì )(⛲)公安老(🥇)頭,未必是(shì )貓(māo )捉老鼠(shǔ )累鬥累,也可(kě )以是從老前(qián )輩身上學(🥈)會(🐉)認識(shí )自己(🔬)。阿 P 為追阿(ā )初欠(👋)她的債,偶然與阿初的外公相遇,兩(liǎng )個生活態度南(nán )轅北(👁)轍的(💆)人(rén ),就是(shì )這樣(yàng )(🏐)在荒謬的處(chù )境中相互學(xué )習。阿P在(🚸)當(🖍)中(🚑)看(🐶)見年(🕕)青一代的(🤷)無奈:十六歲的迷途青春、愛(ài )情的(⏯)無助、軟(ruǎn )(❔)性毒品的蠶(cán )食、面對父母失敗的(✋)婚姻(yīn )、自己渾噩的前途....阿初無故失蹤(zōng ),又是否因抵受(shòu )(⛳)不了(le )同樣(⛳)殘酷的(🎋)青春?世(🧟)情像玻璃,有時看得透,有時(shí )(💹)不,相(🥊)同的只(🛎)是(💍):兩者(zhě )同樣(🈸)冰(➡)冷(lěng )易碎。 The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. Source 25th HKIFF (2001)