剧情简介
康沃尔渔村(cūn )的风(fēng )景(jǐng )明信片(piàn )田(📼)园诗误导(dǎo )了(🔼)人们(🃏)。虽然(🕟)过去钓鱼是(shì )(🤢)一种养家糊口的方式，但如(rú )今富有的伦(🥩)敦(dūn )游客(🎾)纷纷下山(⏬)，取代(dài )了当地人(rén )(📼)，当地人的(de )生(shēng )计因此(cǐ )受到(dào )威胁(🎡)。史蒂文和马丁兄弟的关(🏐)系(🚥)也很紧(🛺)张。马丁是一个没(méi )有(yǒu )船的渔夫(fū )，因(🥀)为史蒂文(wén )开始(🔊)用(yòng )它(⏺)来为一整天的(🔩)游客提供更(gèng )赚钱(qián )的旅游。他们(men )卖掉(diào )了这(zhè )座家庭别墅，现在看来，最后一场(chǎng )(㊙)战斗是和(hé )新(⛓)主人在海(🍄)边的停车位上展开。然而，情况很快就失控了，而不(🧣)仅(jǐn )仅是(shì )(🕯)因为车(🗳)轮(🤘)夹钳。 Bait是一(💍)种黑(🐾)白(bái )，手工(➡)制(zhì )作，16毫米(🥋)胶片(piàn )制作(zuò )的电影。许多关(guān )于鱼、网、(🎥)龙虾、长靴、绳(🤥)结(jié )和渔篮的特写(xiě )(🥤)镜头(👵)让人想起(🐞)了蒙太(🔞)奇景(🚲)点(diǎn )的(🔎)理(🌂)论。对不同社会(🔫)阶层的描(🌸)述(shù )——(🏓)可(kě )以说是阶级关系——(📤)也让人(🔪)想起了英国电影中的(de )社会现实主义传统。然而(🏸)，最重要的(de )是，在影像中不同层次(cì )的(de )电影(yǐng )历史参考文献之下，当前(qián )许(xǔ )多政(🍾)治关(🎞)联(lián )正(📯)在等待被(🔍)发现(🍉)。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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