前(qián )身是皇(huáng )軍軍港的吳(wú )港(gǎng ),戰後成為船塢(🔼)工(gōng )人的生活煉獄(🛍)。在資本(🤴)家(🍥)剝(bāo )削和枯(kū )(🎹)燥(🆖)生活(huó )(🐉)的(de )雙重煎熬下(🗼),躁動的(😧)年輕生命,一(🎲)頭栽進暴力漩(📼)渦(wō )(😎),延(🖲)擱成長(🕔),終(zhōng )日(🎩)在打(🗄)鬥、(🎡)賭(🕖)博、酗酒(💆)中尋找(zhǎo )暫(zàn )時的麻醉(zuì )。吉田喜重通(tōng )(🥞)過工頭之眼,對不合(hé )理(lǐ )的社會現實作(🤷)出欲迎(yíng )還拒的批(🧚)判,被視為日(rì )本(🛑)新浪潮(🖲)代表作之一。香山美子飾演純真的(de )酒(jiǔ )(✋)館(🐑)女待,同(tóng )情工人卻(👓)慘被強姦,正與負的能(néng )量(liàng ),在大時代(dài )中(🕙)比拼互(hù )滲,可有超越對(duì )與錯,是與非的位置(zhì )?片末火車(chē )站(💹)送別一場,在家和社會之間,吉田喜重作出了(🥋)左翼的(de )選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (👫) - SummerIFF 2007